These are: The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. Use the D half-whole diminished scale (aka dominant diminished scale) on D7#9 and the Eb half-whole diminished scale on Eb7#9. The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. Let us take a look at a C altered scale: C, Db, Eb, E, F#, G#, Bb. Also known as the altered dominant scale this mode has every non essential tone altered. Altered scales most commonly appear over dominant seventh chords that resolve to the root. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. Show me chords that sound good with an Eb Altered scale. 4. In example 2 I am first playing the scale as a 2nd position minor pentatonic. Watch my lesson about Altered Harmony if you don't get it. SECTION o APPLIED JAZZ CLINIC + LESSON PLAN (21 PAGES) It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. So the scale starts off as a diminshed scale and ends up as a whole tone scale, hence the name. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. What I mostly have heard about the altered scale is how people keep telling me it is difficult and probably the name makes it stand out. So the altered scale could be used on an E7b5 chord. Usually, an altered scale is used on a #9 scale, but an altered scale has a b5 and a #5, but no natural 5. But in the end it is of course just a set of notes like any other scale and no more difficult than the rest of them. pattern for playing the selected scale in a different position on the fretboard. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - D#/Eb Guitar Tuning: This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! The scale is also identical to the seventh mode of the Melodic Minor (e.g. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. The 5th of E7 is B natural, but in the altered scale the 5th has been flattened to Bb. Altered Pentatonic. chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. The natural forms of the non-essential tones are not present in the scale. Standard Tuning (gCEA). This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. All pitches are lowered except C in the C altered dominant scale of C Db Eb Fb Gb Ab Bb. Standard Tuning (gCEA). Since the natural minor key is itself on the Circle of 5ths - Eb minor on circle of 5ths, this means that this is a commonly used melodic minor scale key. 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